内容简介
Apple Music 宣布推出其评选的史上百大最佳专辑，这份榜单由 Apple Music 专家团队和 Maren Morris、Pharrell Williams、J Balvin、Charli XCX、Mark Hoppus、Honey Dijon 和 Nia Archives，以及词曲作者、制作人与音乐行业专业人士共同打造，旨在致敬有史以来最伟大的唱片。这份榜单是编辑团队的表态，与 Apple Music 的播放量完全无关，是一封写给唱片的情书，这些唱片塑造了乐迷们生活与聆听的世界。
“百大最佳专辑汇聚了 Apple Music 为乐迷所提供的卓越服务的精髓：出类拔萃的人工编排，对叙事艺术的深刻理解，对音乐的广知博闻与深厚热爱。”Apple Music 内容与编辑高级总监 Rachel Newman 表示，“我们为这一天已经努力工作了很久，现在终于能与世界分享，我们为此感到无比骄傲和激动。”
“制作这份榜单是一次无悔的付出，一方面是因为这项工作难度极高，另一方面则是因为我们对此充满热情。”Apple Music 全球创意总监兼 Apple Music 1 首席电台主持人 Zane Lowe 表示，“我们要选出史上 100 张最佳专辑，这几乎是不可能完成的任务。但作为乐迷，花点时间好好从这个角度思考我们深爱的音乐、专辑和艺人，这也是一大赏心乐事。如果这份榜单能够在 Apple Music 之外激发更多乐迷的讨论，让人们热情地探讨他们所爱的音乐，那么我们的初衷就圆满达成了。”
完整榜单
音频信息
General 完整名称 : F:\[001]Lauryn Hill - The Miseducation of Lauryn Hill (1998) [ALAC 16B-44.1kHz] Doo Wop (That Thing).m4a 格式 : MPEG-4 格式配置 (Profile) : Apple audio with iTunes info 编解码器 ID : M4A (M4A /mp42/isom) 文件大小 : 30.1 MiB 时长 : 5 min 20 s 总体码率模式 : Variable 总体码率 : 788 kb/s 专辑 : The Miseducation of Lauryn Hill 专辑/演员 : Lauryn Hill 分段/位置 : 1 分段/总数 : 1 轨道名 : Doo Wop (That Thing) 轨道名/位置 : 5 轨道名/总数 : 16 演员 : Lauryn Hill 作曲 : Lauryn Hill 编曲 : Lauryn Hill 制片人 : Lauryn Hill 流派 : R&B/Soul / Music 内容类型 : Music 说明 : Lauryn Hill’s debut—and only—solo studio album was a seismic event in 1998: a stunningly raw, profound look into the spiritual landscape not just of one of the era’s biggest stars, but of the era itself. Decades later, The Miseducation of Lauryn Hill still counts as a life-changer, with the preternaturally talented Hill rapping with the confident ferocity of a woman in total creative control and singing with the gospel-hued richness of the soul canon. It was an expression of interior depth during a time in which Black women were often portrayed as one-dimensional archetypes, and Hill delivered her magnum opus of life’s triumphs and setbacks with such singular heart, sincerity, and specificity that it transcended from an album into a universal statement of being. Her fortitude was so powerful that new generations continue to discover an album whose specific mastery of musicality, lyricism, and frankness has not been replicated. / / Miseducation was forged in emotional fire. After seven years as the voice of the politically cogent, critically acclaimed New Jersey hip-hop trio Fugees—and in the aftermath of a protracted, tumultuous relationship with her bandmate Wyclef Jean—Hill set out to document a period of major life transitions, including the slow erosion of the group she’d been with since high school. With the trauma came new beginnings: Hill was also inspired by the physical and mental transitions of pregnancy and the birth of Zion, her first child with Rohan Marley, using her attendant spirituality as a guiding light. This potent emotional crossroads led to what remains one of the rawest albums ever created, a lasting artistic beacon for musicians across genre, and a moment in which the whole world recognized Hill’s talents. / / Miseducation’s opening track, in which a teacher announces a classroom roll call only for Lauryn Hill to be absent, speaks to its thesis: that its lessons were of the sort that can only be learned through lived experience. As she weaved through painful eviscerations of an ex, which even at the time were understood to be directed at Jean, she redefined the way gritty, sharp rapping and lavish R&B harmonies could fuse together in an era of nearly catholic separation between the two genres. (Even three years after Method Man and Mary J. Blige’s “All I Need” remix, hardcore rap was largely still teeming with misogyny, and R&B was seen as a softer, more feminine pursuit.) Miseducation centered a young woman's point of view, in all her rebellions and vulnerabilities, amid terrain dominated on the hip-hop charts by a certain vision of hypermasculinity. But it also served as an entry point for a mainstream still inclined to denigrate hip-hop’s musicality. / / The album was recorded, in part, at Hope Road in Jamaica, in Bob Marley’s home—a legacy reflected in Hill’s idea for the album’s cover art, which echoes The Wailers’ Rastaman Vibration cover. Yet the DNA of these songs, and a key to their endurance, draws on a classic Motown/Stax sound that showcases Hill’s immaculate vocal approach; the layered “Doo Wop (That Thing)” alone won her two of the five Grammys she took home in 1999, a validation of the freshness of her sound, as well as the way her music spoke to the emergent feminism of the Hip-Hop Generation. / / The vulnerability in Miseducation’s singles is often discussed, but Hill’s concerns, and powers, were multivalent. Once a history major at Columbia University, Hill explored her upbringing in Newark, New Jersey, with a sharp, subtle sociopolitical eye (“Every Ghetto, Every City”) and philosophized on the nature of growing up in a disenfranchised world (“Everything Is Everything”). On the latter song, she benefited from a classic 1970s soul sound with a small band that included jazz bassist Tom Barney and clavinet from Loris Holland, minister of music at the storied Brooklyn Pilgrim Church. The former featured piano from a then-unknown pianist by the name of John Legend. / / Miseducation is also proof that pure intention and unflinching emotional truth can be a path to deliverance unto itself. As Hill raps on the politically charged koan “Everything Is Everything”: “My practice extending across the atlas/I begat this.” She was, and remains, a once-in-a-generation talent whose inspiration, and innovation, can be heard through the decades. Artists exhaust long discographies hoping for a cohesive piece of work resonant enough to reshape culture and inscribe its creator into the pantheon; Lauryn Hill did it in one. 录制日期 : 1998-08-25 编码日期 : 2024-03-25 22:36:28 UTC 标记日期 : 2024-03-25 22:36:28 UTC ISRC : USSM19802337 版权 : ℗ 1998 Ruffhouse Records LP 封面 : Yes 分级 : Clean Cello : Akua Dixon Turntables : DJ Supreme Trumpet : Everol Ray UPC : 886446727189 Mastering Engineer : Herb Powers Songwriter : Lauryn Hill Vocals : Lauryn Hill Saxophone : Dean Frasier Piano : James Poyser Electric Piano : James Poyser Celesta : James Poyser Trombone : Nambo Robinson Mixing Engineer : Commissioner Gordon Programming : Vada Nobles / Che Pope ripped by : Restless Mind / SoundScape Violin : Regina Carter / Marlene Rice Assistant Recording Engineer : Errol Brown / Storm Jefferson Recording Engineer : Warren Riker / Commissioner Gordon Background Vocals : James Poyser / Lenesha Randolph / Rasheem Pugh / Jenni Fujita GenreID : 15 AlbumTitleID : 21434 cmID : 21434 AppleStoreCountry : United States PlayListID : 1276760743 AppleStoreCatalogID : 1276760748 pub : Ruffhouse/Columbia Vendor : SonyBMG:isrc:USSM19802337 Audio ID : 1 格式 : ALAC 编解码器 ID : alac 编解码器 ID/信息 : Apple Lossless Audio Codec 时长 : 5 min 20 s Duration_LastFrame : -76 ms 码率模式 : Variable 码率 : 782 kb/s 额定码率 : 1 411 kb/s 声道数 : 2 channels 采样率 : 44.1 kHz 位深 : 16 bits 流大小 : 29.9 MiB (99%) 标题 : Core Media Audio 编码日期 : 2024-03-25 22:36:28 UTC 标记日期 : 2024-03-25 22:36:28 UTC
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